Academy Award for Best Original Score
The Academy Award for Original Score is presented to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer.[1]
Superlatives
These are only for nominations in the Scoring categories. Nominations in other categories, such as the Original Song category, are not included.
Only one composer has won two Scoring Oscars the same year. In 1973, Marvin Hamlisch won Best Original Score for The Way We Were and Best Adaptation Score, for The Sting. Hamlisch also won Best Song that year, making him the only composer to win three music Oscars in the same year.
Eight composers have won Oscars two years in a row:
Only one composer has won Oscars three years in a row. Roger Edens won for Easter Parade (1948), On the Town (1949) and Annie Get Your Gun (1950)
Only three female composers have won an Oscar for scoring. Marilyn Bergman won for Yentl (1983), Rachel Portman won for Emma (1996), and Anne Dudley won for The Full Monty (1997).
Only one female composer has been nominated for multiple Scoring Oscars. Rachel Portman was nominated for Emma (1996), The Cider House Rules (1999), and Chocolat (2000).
Multiple nominations
The following is a list of composers nominated more than once and winning at least one Academy Award. The list is sorted by number of wins, with the number of total nominations listed in parentheses. These do not include nominations (or wins) in the Best Original Song category.
The following composers have been nominated for a Best Original Score Oscar more than once; but as of 2010, the eleven living composers have yet to garner one. The number of nominations is listed in parentheses. These do not include nominations (or wins) in the Best Original Song category.
Winners and nominees
The following is the list of nominated composers organized by year, and listing both films and composers. The years shown in the following list of winners are the production years, thus a reference to 1967 means the Oscars presented in 1968 for films released in 1967.
Note: From 1934-1937, the head of the music department (rather than the actual composer or composers, in most cases) received the nominations and/or award.
Note: From 1937-1945, any studio was guaranteed a nomination just by submitting a qualified entry.
1930s
- 1934
- 1935
- 1936
- MUSIC (Scoring): Anthony Adverse – Warner Bros. Studio Music Department, Leo F. Forbstein, head of department (Score by Erich Wolfgang Korngold)
- * The Charge of the Light Brigade – Warner Bros. Studio Music Department, Leo F. Forbstein, head of department (Score by Max Steiner)
- * The Garden of Allah – Selznick International Pictures Music Department, Max Steiner, head of department (Score by Max Steiner)
- * The General Died at Dawn – Paramount Studio Music Department, Boris Morros, head of department (Score by Werner Janssen)
- * Winterset – RKO Radio Studio Music Department, Nathaniel Shilkret, head of department (Score by Nathaniel Shilkret)
- 1937
- MUSIC (Scoring): One Hundred Men and a Girl – Universal Studio Music Department, Charles Previn, head of department (no composer credit)
- * The Hurricane – Samuel Goldwyn Studio Music Department, Alfred Newman, head of department (Score by Alfred Newman)
- * In Old Chicago – 20th Century-Fox Studio Music Department, Louis Silvers, head of department (no composer credit)
- * The Life of Emile Zola – Warner Bros. Studio Music Department, Leo F. Forbstein, head of department (Score by Max Steiner)
- * Lost Horizon – Columbia Studio Music Department, Morris Stoloff, head of department (Score by Dimitri Tiomkin)
- * Make a Wish – Principal Productions, Dr. Hugo Riesenfeld, musical director (Score by Dr. Hugo Riesenfeld)
- * Maytime – Metro-Goldwyn-Mayer Studio Music Department, Nat W. Finston, head of department (Score by Herbert Stothart)
- * Portia on Trial – Republic Studio Music Department, Alberto Colombo, head of department (Score by Alberto Colombo)
- * The Prisoner of Zenda – Selznick International Pictures Music Department, Alfred Newman, musical director (Score by Alfred Newman)
- * Quality Street – RKO Radio Studio Music Department, Roy Webb, musical director (Score by Roy Webb)
- * Snow White and the Seven Dwarfs – Walt Disney Studio Music Department, Leigh Harline, head of department (Score by Frank Churchill, Leigh Harline and Paul J. Smith)
- * Something to Sing About – Grand National Studio Music Department, C. Bakaleinikoff, musical director (Score by Victor Schertzinger)
- * Souls at Sea – Paramount Studio Music Department, Boris Morros, head of department (Score by W. Franke Harling and Milan Roder)
- * Way Out West – Hal Roach Studio Music Department, Marvin Hatley, head of department (Score by Marvin Hatley)
- 1938
- 1939
1940s
- 1940
- 1941
- 1942
- 1943
- 1944
- 1945
- MUSIC (Score of a Dramatic or Comedy Picture): Spellbound – Miklós Rózsa
- * The Bells of St. Mary's – Robert Emmett Dolan
- * Brewster's Millions – Lou Forbes
- * Captain Kidd – Werner Janssen
- * The Enchanted Cottage – Roy Webb
- * Flame of Barbary Coast – Morton Scott, Dale Butts
- * G. I. Honeymoon – Edward J. Kay
- * The Story of G.I. Joe – Louis Applebaum, Ann Ronell
- * Guest in the House – Werner Janssen
- * Guest Wife – Daniele Amfitheatrof
- * The Keys of the Kingdom – Alfred Newman
- * The Lost Weekend – Miklós Rózsa
- * Love Letters – Victor Young
- * The Man Who Walked Alone – Karl Hajos
- * Objective, Burma! – Franz Waxman
- * Paris--Underground – Alexander Tansman
- * A Song to Remember – Miklós Rózsa, Morris Stoloff
- * The Southerner – Werner Janssen
- * This Love of Ours – H. J. Salter
- * The Valley of Decision – Herbert Stothart
- * The Woman in the Window – Arthur Lange, Hugo Friedhofer
- MUSIC (Scoring of a Musical Picture): Anchors Aweigh – Georgie Stoll
- * Belle of the Yukon – Arthur Lange
- * Can't Help Singing – Jerome Kern (posthumous nomination), H. J. Salter
- * Hitchhike to Happiness – Morton Scott
- * Incendiary Blonde – Robert Emmett Dolan
- * Rhapsody in Blue – Ray Heindorf, Max Steiner
- * State Fair – Alfred Newman, Charles Henderson
- * Sunbonnet Sue – Edward J. Kay
- * The Three Caballeros – Charles Wolcott, Edward Plumb, Paul J. Smith
- * Tonight and Every Night – Marlin Skiles, Morris Stoloff
- * Why Girls Leave Home – Walter Greene
- * Wonder Man – Ray Heindorf, Lou Forbes
- 1946
- 1947
- 1948
- 1949
1950s
- 1950
- 1951
- 1952
- 1953
- 1954
- 1955
- 1956
- 1957
- 1958
- 1959
1960s
- 1960
- 1961
- 1962
- 1963
- 1964
- 1965
- 1966
- 1967
- 1968
- 1969
1970s
-
- 1973
- 1974
- 1975
- 1976
- 1977
- 1978
- 1979
1980s
Best Original Score
1990s
Note: From 1995 to 1998, songwriters and lyricists along with orchestral underscore composers were also eligible for nominations in the "Musical or Comedy Score" category.[3]
2000s
2010s
References
External links
References
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Merit awards |
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Special awards |
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Retired awards |
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Ceremonies
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1934–1940 |
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1941–1960 |
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1961–1980 |
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1981–2000 |
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2001–present |
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- Complete list
- (1934–1940)
- (1941–1960)
- (1961–1980)
- (1981–2000)
- (2001–2020)
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